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Exclusive: Watch As DJ Jimmy Jatt And Terry G Finally End Rift

Exclusive: Watch As DJ Jimmy Jatt And Terry G Finally End Rift

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Veteran entertainer, DJ Jimmy Jatt and talented act, Terry G, have finally settled their rift.
Recall, the internet went agog after Terry G was seen slapping a DJ at a comedy show organized by MC Bash, with the DJ turning out to be one of DJ Jimmy Jatt’s Protegee’s
TooXclusive, caught up with both men, who finally had a sit down to settle their difference with Terry G, owning up to his grievous mistake and begging for forgiveness, an act which was finally granted by DJ Jimmy Jatt.
We can all breathe easily with DJ Jimmy Jatt and Terry G, finally ending their rift.
Watch how both entertainers eventually settle their differences.


Playlist Hacker: Peep The Classic Jamz That Grind Pepenazi’s #FitFam Routine

Playlist Hacker: Peep The Classic Jamz That Grind Pepenazi’s #FitFam Routine

wednesday hacker pepenazi
Last week, we introduced “Playlist Hacker” – a new content feature on the hottest music entertainment joint, tooXclusive.com where we get your favourite superstars to share the songs that are buzzing on their playlist, which we have also categorized into themes like dance, romance, comic relief, party/club, church… it goes on and on.
Today, we got hacked into Pepenazi‘s workout playlist.
I can’t believe One For The Road is not even there.
Lol. Oya don’t let me spoil the fun for you. Read the playlist note as written by Pepenazi himself!
I’m not a serious workout person, but whenever I decide to hit the gym or just break a sweat at home or while jogging I like to listen to really fast tempo songs. It helps me maintain a steady pace. I get lost in the catchy, repetitive beats and I just keep pushing until I can push no more.
When I’m in the gym, I always put to mind that I’m there for “me”. I’m not lifting for a girl or to impress anyone. I lift to build my best self.
Here are a couple of songs that top my playlist when I workout.
1. Avicii  – The Nights
2. Lmfao – Party Rock Anthem
3. Eminem – Lose Yourself
4. Black Eyed Peas – I Gat A Feeling
5. Baha Men – Who Let The Dogs Out
6. Madcon – Beggin’
7. Wiz Khalifa – We Own It
8. Florida – Club Can’t Handle Me
9. Busta Rhymes – Break Ya Neck
9+ DMX – Ruff Ryders
10. Missy Elliot – Get Your Freak On
As you can see, it’s a very fancy collection of classic and western hip-hop joints. And it’s obvious whyPepe keeps going hard instead of going home. All ye fit fa(r)mers, take note! 😉

We Found Something Wrong With These Videos, But Hey… We Love ‘Em Anyways

We Found Something Wrong With These Videos, But Hey… We Love ‘Em Anyways

No shade, to be honest.
The rationale is just so that we can laugh (and of course, ponder too) on some of the points that will be shared in this brisk post about certain music videos released by our superstars.
Enjoy!

1. Who You Epp?


Olamide’s sensational and viral hit (as is the fashion of YBNL) fell flat on it’s drab behind, the moment the video dropped. It was everything devoid of creativity. It’s almost like as if Olamide doesn’t care at all to use the good head he has for music, when shooting his music videos. That shxt hurts .2. Where 
Who allowed Tekno to be scripting the plot for his music videos? He has applied this same ‘girl meets guy, girl falls for guy’ concept in three consecutive music video releases. And to think he wasted all that resources going abroad just to kiss some chic? Please let Flavour show you how it’s done jare.                                                                                 3. Count It All Joy 
Joy indeed! With this video, it became clear what exactly Mr 2kay meant by ‘count it all joy’. Did you see all the ‘joys’ in their scantily clad numbers? Were you successful at counting them all or you probably lost count sef? Okay now, we’ll see what side Mr 2kay will be standing on the day of crucifix.  4. Standing Ovation 
You see ehn, these streets aren’t for everybody o. Watching Tiwa Savage go ghetto is one sight I still cannot fathom. Of course, she effortlessly relays this aura of a Disney princess, but it is sure not Cinderella who like Wizkid sang, was the girl wey come from ghetto make am.               5. Ready 
Ah. Adekunle fell hand bad bad with this video. Like he went from some sharp genius shown on Orente andPick Up, then came down to settle for terrible less on Ready. It’s as if the low budget concept didn’t correctly spell ‘DOOM’ for him, he needed to read the writing off the wall with tacky fast food and roadside scenes. Dude ain’t even ready yet!                                                                            6. The Vow  
I’ll be clear, Mrs Busola Dakolo is an uber-friggin’ hot mom who doesn’t even stand competition with some of these badly weaned trolls who like to go under the title of vixens. But! She is NOT a video vixen. Timi should please keep certain aspects of his life business in serious check.   7. Dance 
It’s possible that Flavour didn’t realize that Clarence Peters sampled an entire unoriginal concept off another music video, in his own until it dropped and people started to make their thoughts known on the creative theft. If I were in his shoes, I’ll just ask for my money back. No jokes.          8. Ferrari 
We can forgive the fact that Ferrari was styled awfully much after Johnny but it would have been sensible to keep the video purely western. If it’s that he was buying her bell bottoms now, we totally agree with the hamlet setting. But Mama Africa was feeling like the best of both worlds. So her video tells us about the confusion encountered on what they exactly set out to do.                              9. Slow Slow 
Muno happens to be the fast-rising artiste of 2016, having gathered plenty buzz since his signing to Paul Okoye’s Rudeboy Records. He’s a fine singer and looks hella good in his videos. But! Slow Slow reminded us a little too much of bad gal Riri’s Work whose release came in weeks before. Son, unoriginality can sometimes bury one’s career. Remember yours just got started.              10. Oluwa Ni 
Aswear, Reeky Tom Tom almost had us totally sold until the bikini clad ladies just had to troll into his video. There’s several other ways the Oluwa Ni context could have been represented other than with skin baring ladies. Banks is kuku a badt shiyd, nobody is disputing that, so yes, I really want to know where he’ll be standing on crucifixion day. Perhaps Oluwa ni!

Mavin Records First Lady, Tiwa Savage Meets With Jay Z

Mavin Records First Lady, Tiwa Savage Meets With Jay Z

Recall, a few days back, we brought you news that Mavin Records diva, Tiwa Savage might have been signed to Roc Nation, an international label imprint owned by business mogul and rapper, Jay Z.
Just last night, photos emerged on Mami Jamil and Don Jazzy’s Instagram accounts giving heavy speculations to the news. Both Tiwa Savage and Don Jazzy were pictured in a shot with the one and only Jay Z.
Tiwa, shared a couple of photos of herself with Jay Z and Don Jazzy tagging it:
Mavin X Roc Nation
CkYa1h6UoAAqxuC
No official statement about this has been made yet, all the same congratulations to the queen.

BBC announces 25 hours of Glastonbury coverage

BBC announces 25 hours of Glastonbury coverage


The BBC has announced details of its Glastonbury coverage, promising “over 25 hours” of performances across BBC 1, BBC2, BBC Three and BBC Four.

This includes showing the Pyramid Stage headline performances by MuseAdele and Coldplay in full on BBC2, as will the Sunday afternoon “legends” slot by Jeff Lynne’s ELO.

The amount of coverage appears to be slightly down on the 30 hours screened in 2016, though the BBC emphasised that the amount of exact coverage has yet to be finalised.

The BBC have named 17 presenters for its Glastonbury coverage, including Chris Evans, Lauren Laverne, Mark Radcliffe, Gemma Cairney, Huw Stephens and Annie Mac, adding “other presenters are still to be confirmed”. BBC1’s The One Show will kick off the TV coverage with a special show on June 24 hosted by Greg James and Alex Jones.



A total of 19 million people saw 2016’s BBC Glastonbury coverage, with Lionel Richie the most-watched individual performance, netting 1.8m viewers.

The BBC said its new BBC Music app will include exclusive full sets and individual songs across the weekend, while BBC Four will show sets by Foals, New Order, PJ Harvey and Earth, Wind And Fire.

BBC Music director Bob Shennan said: “Glastonbury promises to be a magical weekend. If you can’t make it to Worthy Farm, BBC Music will bring you the cream of the festival, whether you’re at home or on the move. ”

Today declared ‘Prince Day’ by Minnesota governor

Today declared ‘Prince Day’ by Minnesota governor

Celebration marks what would have been Prince’s 58th birthday.
The governor of Minnesota has declared today (June 7) ‘Prince Day’ in honour of the late singer, who lived in Minnesota.

Residents in Minnesota are requested to wear purple today in Prince’s honour, as the singer lived in the state his whole life. He was born in Minneapolis in 1958 and his Paisley Park home and recording studio were in the town of Chanahassen.

The Prince Day declaration was made by Democrat governor Mark Dayton, who last month declared that May 23 was Beyonce Day to mark a concert by the singer in Minnesota.



Dayton’s citation for Prince on behalf of Minnesota added: “Prince was the creator of ‘The Minneapolis sound’, a contribution not only to the catalogue of music genres, but to Minnesota’s worldwide prominence and its economic growth.”

Prince died on April 21 from an overdose of the prescription drug fentanyl.

Other celebrations planned for Prince’s birthday include a ‘Let’s Go Crazy’ party at The Rock And Roll Hall Of Fame in Cleveland, Ohio, which inducted Prince in 2004. Spike Lee hosted a birthday tribute to Prince in New York on Saturday. 

However, as a practicing Jehovah’s Witness, it’s unlikely that Prince would have celebrated his own birthday as the religion chooses not to commemorate special days such as birthdays or Christmas.

Alexandra Savior's Williamsburg Show Was A Triumph - Whether Alex Turner Showed Up Or Not

Alexandra Savior's Williamsburg Show Was A Triumph - Whether Alex Turner Showed Up Or Not


“Don’t you try to calm me down!” Alexandra Savior screamed towards the end of 'Mystery Girl', the closing song of the Los Angeles-based singer-songwriter’s headline show at Williamsburg’s Baby’s All Right. She remained calm for the entirety of her 40 minute set, oozing retro cool from the moment she stepped onstage, but – if only for an instant – Savior got ferocious. Her stare could look right through you, all the more menacing as guitar feedback threatened to swallow her whole. 

That being said, for the first 39 minutes of her set, her movements and stage banter were kept to a minimum. “I’m Alexandra Savior and these are my dudes,” she said before launching into slow-burning opener 'Frankie', a track that wouldn’t feel out of place on Arctic Monkeys’ 'Humbug'. With only two solid red lights behind Savior and her backing band made up of members of the L.A. band PAPA, not much was going on throughout the set, fully allowing her sultry music to speak for itself. The crowd, mostly made up of industry folk was transfixed and silent, held in Savior’s palm for each of the nine tracks she performed.

Wearing a long-sleeved black turtleneck and a floral skirt, Savior’s presence recalled a period where Nico, Marianne Faithfull, and Françoise Hardy were musical fashion icons. After all, Savior’s song 'Risk,' the only song she’s released under her name at this point, plays like a modern version of Hardy’s 'Le Temps de l'Amour' if it were mixed at Josh Homme’s Rancho De La Luna studio in Joshua Tree. Though for all we know, it probably was.

Not much is known about Alexandra Savior and her show at Baby’s All Right did not do much to clear things up. If anything, her mysterious aura added more weight to the show, her first in New York. Her set ranged from 60s-esque lounge music like 'Girlie' to the L.A. desert rock of aforementioned single 'Risk,' which perfectly soundtracked True Detective last year. 'Vanishing Point' and 'Mirage' are readymade James Bond songs, prompting us to think, that she was born to write a Bond theme more than once throughout her performance. She effortlessly nails the aesthetic that Lana Del Rey so desperately sought; Savior seems to perform in a different world from everyone else, her detachment only adding to the interest and intrigue of the label execs in attendance.

Throughout most of the show, the crowd seemed to be waiting for her co-writer Alex Turner –who appeared onstage with Savior in Los Angeles just a week prior – to show up once again. In the end, it didn’t matter. Savior didn’t need him.

Alexandra played:
'Frankie'
'Bones'
'Mirage'
'Cupid Shoots To Kill'
'Audeline'
'Vanishing Point'
'Girlie'
'Risk'
'Mystery Girl'

Photos by: Julia Drummond

New Music Of The Day: Savoy Motel – ‘Souvenir Shop Rock’

New Music Of The Day: Savoy Motel – ‘Souvenir Shop Rock’


Nashville’s Savoy Motel are so old school it hurts, with 70s-style press releases being mailed out across the Atlantic to schmucks like me on cheapo, facsimile paper alongside a full-size, black & white signed photo of them and a promotional vinyl single. Vinyl promo single. Who the hell else does that in 2016?

On the accompanying photo, they look like they’ve walked straight out of The Brady Bunch and into the music store:

The press release, which is signed by somebody called Pookie Fielding, states that they came together in the summer of 2014 before detailing “the Savoy sound” and alluding to the band as being “not only a location, it’s a state of mind”. They live, it says, at “an out-of-the-way dark spot where there’s never any vacancy, because everyone at Savoy Motel are residents… residents of a glowing world encapsulated in its own entranced yet detached style.” Shooting on digital, you imagine, is probably not their style.

Onto the music. Early track ‘Hot One’ was an all-thriller beast that fused Chuck Berry duck walk guitar theatrics with trashy synth effects while a Maestro drum machine tripped out beneath it all. It was perhaps the only song in pop history to make robotic vocals sound positively dreamy, and it still feels distinctly out of place now, months after it came out.

Follow-up ‘Souvenir Shop Rock’ is Savoy Motel’s ace card, an irresistibly sleazy affair that makes you wonder what The Strokes might have ended up like if they’d written ‘Honky Tonk Woman’ instead of ‘Last Nite’ back in 2000. Aloof, grubby, weird and sexy, it’s barnstorming, as if Savoy Motel have tapped into the same lo-fi essence that acts like Colorblind James Experience had – mixing all-too-knowing coolness with awe-inspiring studio dexterity.

Put simply, while they coo dismissively about “barking orders, taking orders” it sounds like the coolest thing ever all over again, despite of (or perhaps it's in spite of?) the rest of rock’n’roll sounding rather tired elsewhere at present.

Needless to say, the song is by quite some way the best guitar-based offering by a new act I’ve heard all year.



The fourpiece have already been picked up by the excellent What’s Your Rupture? label – the people who brought you amazing music by Parquet Courts and Royal Headache in recent years – and a debut album, alongside UK and US tours, is being pencilled in for later in the year. It can’t come soon enough.

Nao Interviewed: 'Funk And Jazz And Soul Music Is Just In My Blood'

Nao Interviewed: 'Funk And Jazz And Soul Music Is Just In My Blood'



Nao has had to get used to talking about her unmistakable voice. “That’s the one thing everyone tells me,” she laughs. “‘Your voice is super-high!’”
This one-in-a-million soprano voice brought the east Londoner – her name’s pronounced Nay-O – to the Guildhall School of Music & Drama, where she spent four intense years studying for a bachelor’s in jazz. Later, it served her well as she recorded backing vocals for artists as varied as Jarvis Cocker and Kwabs. And that, she says, was more than enough for a while: “I was honoured to be able to make a living as a singer.”

Then, two and a half years ago, her current manager spotted her on stage with another group and persuaded her to go solo. As this year’s festival season approaches, it’s resulted in the 28-year-old being at the forefront of the UK’s vibrant avant-soul scene, alongside other breaking acts including Jorja Smith and Mabel.

James Blake’s peerlessness was an early inspiration – “he’s created his own sound” – and as soon as she started working with A. K. Paul, the much-hyped London producer, everything clicked. “Funk and jazz and soul music is just in my genes and in my blood,” she explains. “This was the sound I needed to explore.”

Download

Her latest single, ‘Girlfriend’, is exemplary of her self-described “wonky funk”, with underwater synths, funky guitar and lyrics that reference the Prince track ‘If I Was Your Girlfriend’, while debut album ‘For All We Know’ – a homage to late soul man Donny Hathaway – is out in July on her own label, Little Tokyo Recordings. Describing her captivating vocals, which sit slightly behind the beat, she enthuses about an innate, deep relationship between music and the soul. “It’s not a technical thing,” she says. “It’s the groove of it. I can’t help it – it just feels right.” 

Nao: The Details

Based: London

Social: @thisNAO

Buy It: Debut album ‘For All We Know’ is released on July 29.

Live: June 24-26 Glastonbury Festival

Fact: Nao used to be in an all-female a cappella five-piece called The Boxettes



New Music Of The Day: Terry – ‘Third War

New Music Of The Day: Terry – ‘Third War


Featuring members of Total Control, UV Race and Dick Diver, Melbourne ‘supergroup’ Terry release their debut album ‘Terry HQ’ on July 1, via London’s great Upset The Rhythm label (No Age, Spray Paint).

Today’s New Music Of The Day, ‘Third War’, is taken from it, and recalls the monochrome realities presented by Television Personalities’ mainman Dan Treacy in its bleakness. It’s a song about violence, according to Terry’s Al Montford - “Violence on the most calculated and largest of scales”. Which sounds as heavy in print as it does on record, funnily enough:



Terry are: Al Montfort (UV Race, Total Control, Dick Diver etc.), Amy Hill (Constant Mongrel, School Of Radiant Living), Xanthe Waite (Mick Harvey Band) and Zephyr Pavey (Eastlink, Total Control, Russell Street Bombings).

Rita Ora signs new record deal after settling Roc Nation lawsuit

Rita Ora signs new record deal after settling Roc Nation lawsuit

Singer has reportedly signed to Warner Music.

Rita Ora has settled her contract dispute with Roc Nation and signed a new record deal.

Ora had been in dispute with Roc Nation since December 2015 over the delay to her second album. Ora claimed that the five-album deal she signed in 2008 with Roc Nation violated a California law which states that a contract can’t be enforced for longer than seven years without being renewed to both parties’ satisfaction.

In turn, Roc Nation initiated a counter lawsuit against Ora, stating that she had failed to complete a follow-up to her 2012 debut album ‘Ora’.



Ora posted a Snapchat message on Sunday hinting at a new record deal, stating: “Contract time!!” Although it’s yet to be confirmed, Ora’s new label is reported to be Warner Music.

Since her album, which featured No 1 singles ‘How We Do (Party)’ and ‘RIP’, Ora has been a judge on both BBC1’s The Voice, and ITV’s The X Factor as well as fronting advertising campaigns for Coca-Cola and Samsung Galaxy. Her most recent music was Sigma collaboration 'Coming Home'.


Ora is currently filming Fifty Shades Darker. It’s the sequel to Fifty Shades Of Grey and sees Ora reprise her role as Christian Grey's younger sister Mia Grey. The film is due out in 2017.
DON’T LOOK AT ME: JUSTIN BIEBER’S MIXED MESSAGES

DON’T LOOK AT ME: JUSTIN BIEBER’S MIXED MESSAGES


HAS ONE OF THE BIGGEST POP STARS IN THE WORLD LITERALLY TURNED HIS BACK ON US?

 The precious son Justin Bieber is going through something. He’s walking barefoot in the park and feeding ducks. He’s opting out of meet-and-greets because they’re draining him of his energy (and the will to live). He’s writing Alexander Hamilton–length essays on the frivolity and pointlessness of award shows. And now he’s not even looking at us.
Can you blame him? Justin Bieber is a living show-and-tell. His childhood videos belong to us. At 22, he’s starred in two documentaries about his short life. The years 2010 through 2012 were defined by seeing our Boy Wonder’s face on sweaters, t-shirts, binders, pencils, stickers, and whatever else he could help market while he toured and performed tirelessly, giving us more opportunities than ever to look at him. When he began rebelling — clearly signaling the need for a break — we looked even harder, and he took it. Plus, many selfies.
But while he once bathed in the essence of exhibitionism (and bless him for it), Biebstagram has slowly evolved into something like self-awareness. He’s begun using this platform to post Tumblr-ready affirmations, the faces of his friends, and sometimes even himself — but with a sudden frequency he’s turned away from us, framed looking toward the distance. (Specifically the horizon, and taken from a distance of about eight to 10 feet, minimum.)
Call it mother’s intuition, but I knew this was coming back in March. After shedding his clothes in the name of new starts (or so I will argue forever), Justin’s social media presence has since abandoned a good chunk of his weak selfie game and replaced it with images capturing the back of his head. So, we now see Bieber perching on a Jet Ski. We see him standing on a surfboard. Or we see him on a patio overlooking a very well-maintained yard. Always, he is standing. Usually, he appears to be thinking. Never is he staring soulfully into our eyes.
There have been a few pointed exceptions, like the tragic image of Justin posing in his boxers, weakly grabbing his crotch to the caption of “#mycalvins.” Or when, a few weeks back, he posted a pic of Ryan Gosling’s character in The Place Beyond the Pinesalongside the commentary, “What a beast.” Fair — but also kind of a cry for help when you remember that (spoiler alert!) Gosling’s character dies in a very sad manner in the first half of that movie.
And, sure, Justin still selfies — it’s the year 2016, and if you don’t, you will be wiped from the Internet forever. But the change in his feed is unmistakable. Most of the images he posts now are screencaps, pictures of friends, and snapshots of the wee precious singer himself thriving among nature. And most of all, the pics where he’s staring at the horizon. So many horizon pics.

There are two ways to explain this apparent crisis. First, there’s a real chance that Justin Bieber was told by somebody one time that they loved a back-to-the-camera horizon photo he took and, in an attempt to impress them forever and always, made it his “thing.” (Think: “Your hair looks sexy pushed back,” but on steroids.) That would be fine. We’ve all adopted looks and stances we felt helped us live our best lives, and those moments of experimentation usually accompanied a phase of figuring out who we were and how we wanted our Instagram followers to see us. (But especially that one person, duh.)
So there’s that.
But on the other hand, this could represent something bigger — a new kind of rejection of all the years he spent posing for us and performing for us and appealing to us to please love him.
Maybe Justin has simply realized that he needs only to love himself. The Justin Bieber of 2013’s Apology Tour would not have decried award shows as amoral charades. He would not have cited a film like The Place Beyond the Pines (a very heavy movie about love, death, poverty, loneliness, and systemic corruption!) and likened himself to its most sorrowful character. And he would have faced us, always, because that’s what he was taught.
But in the words of Captain Phillips, he’s the captain now. And he’s smart enough to rebel quietly this time, so he’s keeping those changes to his public persona subtle. He’s hanging out within nature. He’s capturing days spent with friends we don’t know. He faces away from the camera, alluding to the idea that he’s contemplating who he is and what he wants and what will become of him. And he does it in a way that brings us all along with him, but without entertaining or even encouraging us. We get to share his view and a bit of his space, but we’re his audience, not his friends. Justin doesn’t need our approval anymore.
While Baby Biebs is obviously navigating the trials and tribulations of being a twentysomething-year-old man, he’s acting out in a way that’s confusing us because we don’t usually see it. We don’t see superstars express their discontent regarding fan photos or fan interactions this openly. We don’t see them abandon their shoes for the sake of a lovely afternoon stroll (though we shouldn’t be surprised by it, since Bieber’s clearly comfortable with nudity and his own bod). And we certainly don’t see them condemn the very system that helped catapult them in the first place, unless they’re quitting music entirely. Like his Instagram suggests, Bieber is turning his back on industry norms for the sake of his own happiness. So while we may have to settle for seeing less of his precious face, let’s celebrate that he seems to have realized that we don’t always need to.
MUST READ: The Impact Of Education In The Music Industry

MUST READ: The Impact Of Education In The Music Industry

Yesterday, the internet was put in a frenzy of both rage and excitement as one of the top artistes in the nation, decided on ‘schooling’ a fan by telling him, ‘School is not for everyone, just drop out and pursue your dreams.’ Now, in as much as I would love to share my thoughts on his rants from the moment he posted the above to the very last tweet that emerged from his account, I’d let things slide and focus on the topic, how exactly does education impact today’s music industry.
To make things easier to assimilate, I will break it down in three sub-headings.
vector

Music itself
Music, as I love to say is like a compass that shows/directs you in the right (wrong) path to tread and this can be fully understood if fully and clearly expressed. We all know, for anyone to be able to garner that skill on how to express his or her thoughts perfectly, that one person needs the powerful help of formal education. The magnificent hands of Literature added with the powerful hand of English, come to play to create the most beautiful expression needed to convey whatever message need be.
Nigerians today are more into songs that not only stimulates their creative side but also evokes not one but several emotions all in less than 4 minutes and for an artiste without formal education backing to achieve this feat, it will be almost not possible.
You want to write a well composed, grammatically clear with lyrics well researched and smartly picked to convey the ultimate melody and emotion kinda of song? Yes, you need formal education.
I am aware that some artistes, who were not privileged to get a formal education still come up with good songs, but how many of those same artistes actually wrote those songs all by themselves?
The likes of M.I, P.O.E, Waje, Vector, Timi Dakolo (who by the way went back to school and bagged a Master’s Degree in Music) are the few, who have attained that high standard of lyrical wit and skill, which till today put their music in high demand by their millions of fans.

Video thumbnail for youtube video DOWNLOAD:VIDEO: B.TS For M.I Abaga Millionaira Champagne
Music Business
Last week, I wrote an article on record labels and their necessity in today’s music industry which I personally feel is still highly necessary for most young and budding artistes trying to make a way for themselves in the competitive business.
Now, while English and Literature cleverly assists in dishing out lyrics solidly embedded in literary devices like personification, pun, euphemism and the other fun and necessary ones, Mathematics, is another field of course in formal education that can never ever be overlooked.
Maths, is a highly important discipline needed in solving most problems that might crop up in the music business. So, you eventually got an offer from a huge record label and you have been presented with a contract, this is where the powerful might of Mathematics comes into play.
Of course, pursuing a career in the music involves recording, negotiating deals, royalties which are deeply rooted in figures, equations, percentage splits. For someone who has no education in Mathematics, this would definitely confuse him/her which I dare say is what most of these labels wanted from the get go.
No one is asking you to get an M.Sc in Mathematics, rather, understanding the core concepts of this subject makes it easier to calculate your financial returns.
Also, Maths plays a huge role in rhythm and patterns of most of the highly enjoyable melodies churned out from top lyrical gods.

Tiwa-Savage
Social setting
There is an air of ambiance that pops it’s head up when learned minds are in a gathering. An educated artiste knows just how to carry his or herself in a social gathering, prompting like minds and brains to come up with business ideas which in turn makes them even bigger and richer acts.
Asides this point, an educated artiste knows just how to respond to a question when being placed on the hot seat.
Recently, Tiwa Savage, who attended Berklee College of Music was interviewed at a radio station and asked her stance on the subject of adoption. She replied, ‘I do not want to say anything politically incorrect’. This is coming from a woman and mother who knows adoption goes beyond the plain cause for charity, as a lot other things are considered in the process of adoption. Nations have different policies about this process which if one day she does decide to adopt, might stand against her as the most successful female act in Africa at the moment.

What do you guys think, is education a necessity in today’s music industry? Let us know in the comment box.